
Nancy Carol Moody is an Oregon poet whose work often leaps between everyday language and surreal imagery, and this poem is a prime example. The first three lines are firmly rooted in the real world, but by the time we get to that fourth line—“a 70-mile-per-hour egg, and I am its yolk,” we feel this truck is no longer on the road we thought it was on. Or perhaps we ourselves are veering out of the truck.

Eventually truck and everything in it are the speaker, hurtling through the night, and the night itself has also become something else. And by the end, Moody has even tossed in a word I could have sworn was made up (transpicuous: transparent; easily understood, lucid)—but, like the rest of the poem, it only seems unreal, walking a line between what we expect to see and what we don’t. Packed with Moody’s signature mix of playfulness and acerbic wit, this poem makes me want to take a whole workshop on “Self-portrait as a ______________.”
[All through April, I'm featuring a favorite poem every day, along with a link where you can read it. Some are classics, some are newer, but each one is the kind of poem that I read, love, and immediately want to tell all my friends about. What better to time to share them than National Poetry Month?]
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